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Sing and Move

8

Category

vocal
rhythmic

Age

12+

Number of participants

10-20

Duration

approx. 30 min.

Working method

group work

Musical abilities of the trainers

1 2 34  5  6

Equipment and instruments
  • music player / app to play the song
  • coloured newspaper pages
Competences
  • movement coordination
  • common singing
  • sense of rhythm
  • attention
  • cooperation
  • team cohesion

Sing and Move

Music game to improve focusing skills
and playful learning about the EU.

AIM

With this game, we can promote the development of the participants’ sense of rhythm and movement coordination, and at the same time develop competencies such as mutual attention and cooperation. Singing together not only stimulates the musical memory, but the learning memory in general.
This exercise also gives participants the opportunity to listen to a symphony orchestra playing classical music (Beethoven: Symphony No. 9) while singing the familiar melody with them. It provides an opportunity to discuss general information about the EU.

Description

  1. Preparation: Collect colored newspaper sheets that can be used to make balls (the size of a tennis ball).
  2. First step is for the participants to grab a sheet of newspaper and create a small ball out of it by squeezing (the tighter folded the better).
  3. After that the participants form a circle and everybody puts the newspaper balls in front of them for now. The participants in the circle hold each other’s hands. The facilitator counts 1-2-1-2 at a steady pace and shows what to do next: everybody has to step left and right in a 2/4 pace.
  4. Next play is to go round the circle and one by one everybody says EU member country, or villages, places etc while keeping tempo and steady beat.
  5. When everyone got comfortable with the steps all participants have to put the ball from their right hands to the left hand of the participant on their right – following the beat as facilitator counts. Group practice this exercise.
  6. When the group is ready to pass the balls, it is possible to combine the delivery of the balls with the steps: pass the ball from the right hand to the left hand of the next member (beat 1), move the ball from the left hand to the right hand (beat 2).
  7. You can take a short break and after that the facilitator starts the counting again 1-2-1-2 at a steady tempo, the participants can start the stepping and the facilitator begins to sing the melody (without text, just la-la!). If somebody in the group knows the tune, they can immediately join in and repeat the Ode to Joy until almost the whole team can follow.
  8. Again, you can take a break while the facilitator can tell this is a famous tune asks if anyone knows who wrote it and what it is famous for? If the group hasn’t heard the melody before, the leader will tell them that it is a large piece of orchestral work that ends with a vocal chant written by a composer named Beethoven, chosen by the Council of Europe as its anthem and used by many occasions and countries in the European Union.
  9. After the break, the practice of stepping and passing the ball may continue, but now with the singing. Here, the leader prepare to turn on the music player: the next time they finish the song, the facilitator turns on the music – version with the band and chorus. It is important that this is a surprise for the group (not heard before) and that the recording should be heard properly. After listening to the symphony excerpt, the group may request a repeat, even several times.

Comments for facilitators

The leader must be very sure of the melody; counting with strong, loud volume; care must be taken to maintain a steady pulse, which can be achieved if the first step (1) is slightly more pronounced. It is advisable to listen to the orchestra recording several times in advance and use the same tempo.
If the group is having difficulty following the exercise, it may be slower to practice, but before the music enters, practice at that tempo.

Little Bird

9

Category

vocal

Age

10+

Number of participants

12-15

Duration

approx. 20 min.

Working method
  • individual
  • group work
Musical abilities of the trainers

1  3 4 5 6

Equipment and instruments
  • roll of paper or pieces of papers (A4)
  • pens
  • envelops
  • music player /app to play the song
Competences
  • cultural/intercultural sensitivity
  • creative writing
  • perception
  • attention
  • text interpretation

Little Bird

Listening and learning a Hungarian song and reading and discussing
the text and practice creative writing inspired by the music.

AIM

The participants get acquainted with a sad Hungarian folk song to widen their horizon in international music. To encourage creativity by writing lyrics for the songs without knowing the original lyrics and with writing a letter they can practise expressing themselves.

Description

Best time to start this session after a tiring task as a relaxing game.
There are a two possible games to play while listening to this song:

1. Before translating the lyrics: participants sit in a circle on the floor, relatively far apart, everyone gets a pen; they write one by one on a cylindrical long roll of paper (and not looking at the text written before) everybody writes in a few words what exactly you think of the song (lyrics, situation, melody); the text should be as short as a twitter message; when you finish writing, pass the roll paper to the next one. They listen to the song until everyone has written something then they read all the text to which they can comment and discuss.

2. After facilitator shares the translation of the lyrics: participants sit in a circle on the ground, relatively far apart; everyone gets a piece of paper and an envelope and writes a short letter based on the mood of the melody (text, story) or they can write a short letter to a person of their choice, to a beloved but distant one (may be a friend, parent, relative or even an unknown) and when they are ready they put their letter to an envelope. They listen to the song so many times while everyone writes their letter. They can hum the melody while writing the letter. The facilitator collects the envelopes, shuffles and distributes them, and then everyone reads the letter they received. All letters can be applaused to encourage the writer.

Lyrics

Madárka, madárka,
Csácsogó madárka,
Vidd el a levelem,
Vidd el a levelem,
Szép magyar hazámba.

Ha kérdi, ki küldte,
Mondjad, hogy az küldte,
Kinek bánatába,
Szíve fájdalmába
Meghasad a szíve.

Translation:
Little bird, little bird,
Chirping liitle bird,
Take my letter, take my letter,
to my beautiful Hungarian homeland.

If he asks who sent it,
Tell him to one sent it,
Whose heart is just ripping because of sedness
and heartache.

comments for facilitators

Listening to and singing (humming) the melody requires a calm, quiet environment without more vigorous movements. It is important that all letters receive praise, applaud each other’s work.

Recruiting Dance

10

Category

vocal

Age

12-25

Number of participants

10-16

Duration

approx. 45 min.

Working method
  • group work
Musical abilities of the trainers

1  3 4 5 6

Equipment and instruments
  • music player /app to play the song
Competences
  • movement coordination
  • attention
  • concentration
  • common singing
  • rhythm recognition
  • body balance

Recruiting Dance

The participants get acquainted with a popular Hungarian soldier recruiting song, which Zoltán Kodály also used in his musical
composition János Háry. Participants can learn a soldier dance
with simple Hungarian folk dance elements.

AIM

Participants learn a melody and dance moves parallelly – this helps to memorise the song easier and deeper. There are various and simple dance moves that change line by line. This session with listening to the music and learning the song and the dance moves improves the participants concentration and they are able to observe the development of their moves by a special community experience.

Description

The group members are standing in a circle or random in the room.
The facilitator start with a brief discussion on the recruitment of the soldiers and how they were inspiried and convinced to join the army. Then facilitator shares information on the hussars: hussar was a member of a class of light-horseman soldiers (light cavalry). This has Central-European origin, in the 15th and 16th centuries. The title and characteristic dress of these horsemen were later widely adopted by light cavalry regiments in European armies in the late 17th and early 18th centuries. A number of armored or ceremonial mounted units in modern armies preserve the title of hussars.
Next step is to listen to the music and/or watch the video with dance. Then the facilitator shows the dance moves to the participants, these are as follows:

Recruiting dance (hussar dance) to the rhythm of the melody:

1. One step to the right with raising the knee (like marching) – one step to the left with raising the knee
2. Two steps to the right with raising the knee
3. Two steps to the left with raising the knee
3. Once clap your hand and one slap to the inner part of right ankle with the left hand
4. Once clap your hand and one slap to the inner part of left ankle with the right hand
5. Once clap your hand and one slap to the inner part of right ankle with the right hand
6. Once clap your hand and one slap to the inner part of left ankle with the left hand
And repeat starting from point 1.

In the end of the session the facilitator can ask the participants how they feel and if they see how inspiring this song and dance ought to be for the people to join the army.

Optional: hussar cap made by the group (cardboard, red felt-tip pen, glue, scissors) – preliminary preparation

Lyrics

A jó lovas katonának
De jól vagyon dolga.
Eszik, iszik a sátorba,
Semmire sincs gondja.
Hej élet, be gyöngy élet,
Ennél szebb se lehet,
Csak az gyüjjön katonának,
Aki ilyet szeret.

Translation:
The good horse-soldier
Has it really good.
He eats and drinks in the tent,
And has no cares at all.
Heigh, life, what a splendid life,
It couldn’t be lovelier,
Only one who likes this kind of life
Should be a soldier.

Shosholoza

12

Category

vocal

Age

10+

Number of participants

8-30

Duration

approx. 35 min.

Working method

group work

Musical abilities of the trainers

1  2  3  4  5  6

Equipment and instruments
  • music player / app to play the song
  • optional: percussion instruments
Competences
  • learning and memory skill
  • cultural / intercultural sensitivity
  • improvisation
  • perception
  • attention
  • concentration
  • rhythm recognition

Shosholoza

An easy-to-learn, often-repeated African melody that can be paired well with exercises such as the Storm game (6).

AIM

The melody is extremely simple and can be learned quickly based on the group leader or one of the videos. The melody can be accompanied by a wide variety of rhythms and movements, which encourage the participants to develop creative solutions.

Description

  1. Listening of the song performed by the facilitator or choose from the useful links below
  2. Explanation of the text
  3. Learning melody and lyrics with many repetitions
  4. Applause and drumming of different rhythms associated with the melody
  5. Add movement improvisation in smaller groups

Lyrics

Shosholoza
Kulezontaba
Stimela siphume South Africa.
Wen u ya baleka
Kulezontaba
Stimela siphume South Africa

Translation:

Work, work, working in the rain
Till there’s sun again
Shosholoza
Push, push pushing on and on
There’s much to be done
The steam train to South Africa.

This song meaning: “Shosholoza, this train is gaining speed and steaming for South Africa”.

Comments for facilitators

Shosholoza has become a national traditional song in South Africa for past decade.
“Shoshaloza” has no specific meaning & was derived from the onomatopoeic & repetitive sound of the train wheels transporting the migrant workers back to their families in Rhodesia (Zimbabwe).

Cooperative Vers(us)e

17

Category

vocal

Age

8+

Number of participants

8-20

Duration

approx. 30 min.

Working method
  • group work
Musical abilities of the trainers

1  3 4 5 6


Competences
  • collaboration
  • creativity
  • attention
  • concentration
  • rhythm recognition
  • sense of rhythm

Cooperative Vers(us)e

Creating lyrics together as a team and singing in canon.

AIM

Helps group dynamics, improves creativity and vocality.

Description

Everybody stands in the circle. The facilitator explains the task.
The participants have to figure out short lyrics.
Possible variations depending on the abilities and motivation of the groups:
– use well known songs – change the lyrics
– use only the lyrics without music, only rhythm like rap
– create your own music as well along with the lyrics

The facilitator divides the group of ~4 small groups.
The lyrics they created has to be singed as follows:
First group starts singing the first verse.
When first group finishes the first line, the second group starts singing the song from the beginning.
When second group finishes the first line, the third group starts singing the song from the beginning.
And so on…

For example:

1st group – La La LA La La     – Le Le LE Le Le       – Lu Lu LU Lu Lu

2nd group                                – La La LA La La      – Le Le LE Le Le

3rd group                                                                  – La La LA La La